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    The Ambisonic Guild is an interdisciplinary group dedicated to the exploration and study of experimental sound, electroacoustic music, microtonal montage, ambisonics, pataphysics, sound art, and performance, in all formats, and from all periods. We are dedicated to increasing and diffusing the knowledge of acoustics and art.

    Our goal is to bring together private individuals and creative professionals and everyone with a serious interest in art sound.

    Your privacy is very important to us, we will never sell or share any email addresses. Please allow up to one business day to receive a response. We will try to answer all emails as soon as possible. If you have any suggestions for this project, we would love to hear them.

    If you have any questions or media inquiries about the 9 Beet Stretch 2.0: Meta Tones project contact us.  If you need imagery, artist information or permission to reproduce any page from this site please contact us. All emails and media queries will be answered.

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    Should electronic music be purely academic (Does an Electronic music artist need to be formally trained in music?)

    “No. The presence of both is good for contrast.

    With the technology available, to compose is more about what kind of choices you make to get to what you would like to hear and therefore more subjective. Still, I guess that when one is experimenting as a premise, the probability to find something unexpected, be it music or a new thought, increases. I like that.”

    Jacques Beloeil